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A memo sent to correspondents,
friends and acquaintances of the Budapest Observatory (BO) in August
2004
If one browses earlier editions of BO
Memo (the author does sometimes), rarely finds words that are prominent in this
one, like festivals, youth culture etc.
The
Palmer Report
BO
has become closely engaged
in the European Capital of Culture movement. This is why we were looking forward
to the disclosure of the evaluation
of this European mega-project, enlisted among "other actions" on the culture
website of the Union.
The
study is huge. So far, BO managed to properly absorb the summary only, which by
itself offers a lot of interesting information. Just to quote a few points: with
the careful reservation of the authors about the meaning of the word, they found
an average of 500 projects by cultural capital. There was a wide range in the
number of staff in charge of communication and promotion, between one and forty
persons; the same span in financial terms went from 1 to 14 million Euros. The
average increase in overnight stays of visitors was considerable, about 12% -
the best reported score was double this figure, one cultural capital generating
23% more tourist nights than the year before.
No
shaking conclusions or recommendations were expected, indeed there are not such
in the study. One remark establishes that the capitals have not really succeeded
to make the European dimension a primary focus, and to sufficiently promote
European integration and co-operation. How much we try and how little is
produced.
Observing
festivals
By
reading the study, we felt a strange kind of déjá vu, the time of déjá being last week. We passed our proposal to the
Hungarian authorities upon their query to us to do research on the cultural
festivals in the country. The expectations vis-a-vis this project and the way we
are planning to tackle the task, the survey we will conduct, all show great
familiarity with those found in the Palmer report.
Although
confined to one country (differently from most BO undertakings), the complexity
of the research is a great challenge for us. By January, we are supposed to
collect evidences for improvements in the public treatment of cultural
festivals. That should affect categorisation, up front and post-evaluation, assessment of impact etc. Mission impossible,
isn't it?
Observing
youth culture
BO
is associated with hard tasks these days. By now Circle board
was hoping to have mailed questions to members in the countries, to guide
preparations for this year Round Table conference. The working title is:
Whose
Culture Is It? Trans-generational
Approaches to Culture in Today's Europe.
Would
you believe how difficult it is to find the right questions? Report about youth
culture in your country. Yes, but how to achieve that responses lend themselves
to concrete comparisons and theoretical conclusions...
I
hope to have raised curiosity about the final 'questionnaire'. For
more,
contact
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Observing
BO capacities
A
cursory visit to the EU site made BO shiver about one more challenge. Whether to
respond to the invitation
of the Commission to evaluate Culture 2000, alone or with partners? Naiveté?
Little time is left to think, the deadline is 22 October.
Most
of you are aware what BO has done in this respect. Some of you will
receive
Culture 2000 with Eastern
Eyes in
an envelope, as we are in the middle of posting this publication to a couple of
hundred addresses.
August
veiled
Our
eastern inhibitions are pleasantly soothed whenever detecting minor malfunctions
in the developed west. While composing this memo, one could read 'what's
new' on the Europa site in the early hours of September, 'what was
new' in July and before, but impossible to learn about the previous day and the
whole of August. It is mere chance that the call referred to above was not
hidden from our (and our readers') eyes. José Manuel, will you look into this
matter, por favor?
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