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A memo sent to correspondents, friends and acquaintances of the
Budapest Observatory (BO) in November 2003
Europe, Europe - over 80% of this memo
is about the Union.
Passing state exams
Accession countries get their annual
evaluation each autumn. Chapter 20 is as monotonuous as ever. BO selection
offers little excitement: http://www.budobs.org/eu-chapter2003.htm.
Except maybe that Bulgaria and Romania, training for community life for a few
more years, proved to be more diligent than the rest. According to the reports
only these two countries have fulfilled the requirements of the Television
Without Frontiers directive.
Council with culture ministers
Twice a year one session of the European
Council, the most powerful instance of the EU, is dedicated to culture,
education and youth. The 2545th session took place on 24-25th
November. Forthcoming fuller reports on http://www.budobs.org/eu-news.htm.
The documents of the Council are in the
newspeak of our days. Cultural operators all over the continent speak about
cultural support from the Union - the official discourse talks of cultural
cooperation only. (Because, as we know, the Union has no mandate for culture,
just to promote cultural cooperation.)
Similarly, by EU cultural actions common
folks mean everything from cultural capitals through Media Plus to Culture
2000. Commission discourse tends to equate this latter to the entirety of EU
culture. This is reflected in papers on future EU cultural
actions.
Future tense
One of these is the summary of the public consultation about how
to proceed after C2000 expires. BO prepared for you an extraction of 265 words:
http://www.budobs.org/eu-news.htm#afterC2000extract.
Did we, or rather, did the 250 messages sent to the Commission manage to sum up
what the cultural community expects from the Union after 2006? Maybe. A sample
sentence: „Every effort should be made to ensure that cooperation projects
are in line with a truly European, as opposed to an intergovernmental,
approach."
Future EU cultural actions
were on the agenda of the 2545th Council meeting, too. A "new
generation" programme was promised after Culture 2000, with fewer priorities,
for an optimal effectiveness for European added value. Fight against
atomisation is what experts and common sense suggest. So far, so good. Unless
the charm of C2000 disappears, that it appeared to be accessible from the grass
roots. Unless it will be dominated by the established élite of EU culture.
With our specially tuned ears, BO found
satisfaction in the emphasis put on accession countries as well as "third
countries" (e.g. Albania or Ukraine in EU newspeak) when the 2545th
session discussed future cultural actions.
The Council dealt with the principles of
EU subsidies to selected cultural organisations. This system will be reformed,
adding among others the Nazi concentration camp memorials to the list.
Quite naturally, the future of EU
cultural actions was the recurring subject at the EFAH Assembly in Berlin as
well, attended by BO as a new member organisation. It was promised that a
mantra will be composed on what the cultural community expects from the union.
Constituting the future
Wrestling went on about the finalisation
of the basic EU documents in the main political arenas, too. Those struggles
hardly affect culture, albeit indirectly. One such concern is whether Christian
values should be mentioned in the constitution. Another one is the case for
minorities - a concept carrying heavy cultural loading. The main partisan if
the issue, Hungary, appears to have succeeded and minority rights will be mentioned
in one way or another.
Reporting on Linz
Austria is habitually
going out of her ways to establish links with (and between) cultural ministers
but also insitutions and personalities from east and central Europe. This
November Linz was the scene. Read BO report on the event: http://www.budobs.org/Linz.htm.
The subject of one
session was promotion of disadvantaged literatures. One delegate, Polish by
nationality, remarked that the EU should support distribution. The chair,
international civil servant by position, replied it is not an EU task.
Too quickly, I'm
afraid. The 2545th session was right to be proud that 90% of films
distributed in another EU country have lately received support from Media, a
programme of three pillars: training,
production and distribution. Why not similarly for small language
publications?
More from the 2545th
Media brings us back to the 2545th
session. (Formidable name, isn't it? Trains, secret agents and buffets in
communist times used to be identified like that.) The Council decided on three
points: endorsed positive discrimination (yes!) for new members, also for small
and medium entreprises (SMEs), and pointed at the importance of digital
technologies in the world of films.
The Council passed a resolution on the
legal deposit (obligatory copies for state collections) of cinema works. One
learns that this matter is settled in two thirds of member states. One would
have expected a higher share.
Still the same 2545th session
proclaimed "Towards a cultural space of European museums". Notwithstanding its
great significance, the resolution contains no surprises. Further analysis will
reveal its delicate or strong points. The document is divided in chapters on
training, restauration, smuggling and exhibitions - this last one, getting a
separate chapter, might be a new phenomenon.
Browsing the remaining themes of the
two-day 2545th session, one reads about fighting against the social
exclusion of youth. The resolution, among others, points at the importance of
centres where the young can meet and acquire social competence: a major
function of most of the cultural centres all over Europe. Unfortunately the
words after the colon are missing from the resolution. They are there, however,
in the survey BO is about to continue on multifunctional institutions of local
culture.
More on youth and culture
The preliminary study (http://www.budobs.org/sc-report.htm)
of the survey referred to in the last sentence needs to be complemented with a
passage on the Banlieus d'Europe network. Their electronic newsletter, reaching us via Bucharest,
announces, among others, a seminar on the social impact of cultural activity
for and with young people. (It took place mid-November in Paris.)
Worship sponsorship?
Back in September BO collected views on
the state of cultural sponsorship in east-central Europe. The brief summary http://www.budobs.org/sp.htm#seven2003
shows a startling similarity of a similar round of questions three years ago.
Both then and now the average guess is around 4%: people estimate that
businesses add another 4% to what is provided to culture from public sources.
Yet there are champions of fundraising: some get over 60% from businesses for a
festival.
The answers reveal that personal
relationship (who knows whom) is more decisive about cultural sponsorship in
our part of the world, than the calculated interest of the business company.
In for an informal meeting
BO has been involved in the early
preparatory moves about the next Informal European Theatre Meeting (IETM), to
be held in Budapest between 22-25 next April. A week before accession. Hope to
see you among the hundreds of participants.
Finally
BO grumbled about the
slow approval process of the studies made in spring about cultural cooperation
in Europe. See our self-correction on this in the last passage of http://www.budobs.org/MemoOct03.htm.
But now the large report may be accessible any day, keep trying www.interarts.net, the new
website of the coordinating institution of the job. Until then you can find one
of the ingredients on BO site: http://www.budobs.org/cult-dipl-EUaccession.htm.
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